Stefaan Missinne: Mozart's Portrait on a French Box of Sweets, Wien: Hollitzer Verlag, 2021, 120 pages, 13,8 x 21,7 cm, English, Hardcover with 4-color-printing images
ISBN 978-3-99012-934-0 (hbk) € 49,00
ISBN 978-3-99012-935-7 (pdf) € 48,99
Mozart's Portrait on a French Box of Sweets
Remember me
A portrait miniature of a cherubic boy with a wig was discovered in Salzburg in 2018. It is mounted on a bonbonnière made of papier-mâché and tortoiseshell. The provenance of the box of sweets is Paris. Could this be a portrait of W. A. Mozart from Versailles? The detective trail leads to Salzburg, Munich, Paris, and Vienna. Laboratory testing authenticates the painting and the box. Stefaan Missinne discovers the "smoking gun" in the silver frame. The guilloche pattern is the linking orphic attribute. Facial biometrics of the boy confirm it is a ten-year-old. Mozart was ten while in Paris in 1766. The Belgian author endorses the bonbonnière as a unique Louis XV box of sweets, suggesting that it is a tribute to W. A. Mozart as an Austrian child prodigy.
An exceptional finding in a Salzburg antique shop leads, like an international research thriller, from the Mozarteum in Salzburg to the archives of the Gesellschaft der Musikfreunde in Vienna, from the Louvre and the Royal French Court in Paris to the Imperial collections of the Habsburgs. A small, expensive and specially heralded box – the Mozart portrait box – portrays a unique, royally uniformed boyish Mozart as a composer, musician and prodigy. A wonderful artifact that allows us to sense Wolfgang Amadeus Mozart as a young Austrian musical genius. Stefaan Missinne has made a significant discovery with international appeal and world interest.
Sir James Constable, Harvard University Fellow
Just as in Greek mythology Orpheus was able to sweep his fellow human beings away with his beguiling song, so the author, Prof. Dr. Stefaan Missinne, succeeds in this compact, scientific treatise where he documents and presents striking evidence of a portrait of the youthful Mozart from Paris, dating from 1766. In so doing, he allows the striking traces and circumstances of a small, collectible, but otherwise inconspicuous artefact to speak to us and form a significant whole that addresses us today in a most meaningful way.
Archduke Dr. Michael Salvator Habsburg Lothringen
INHALT
Introduction
Description of the portrait and the box
Miniature portraits of Mozart
Mozart and his stays in Paris
Primary sources on boxes in Mozart's letters
Mozart, musical instruments and notes
in miniatures and paintings
Iconographic decoration of the silver mounting
and on the outside pattern of the round box
Interlaced orphic ornaments from classical antiquity
and their appearance in late XVIII century artifacts
and frontispieces of printed music editions of
Haydn and Mozart
Allegory of music on a mechanical golden
wedding box dating from 1768
Post-mortem iconographic elements including the
reference to Mozart as the death of Orpheus
Some thoughts with regard to a potential attribution
of the artist who painted the portrait
Paediatric osteological approach
Conclusion
Acknowledgements
References
Index
List of Pictures